Category: Music

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Interview with Jeff Hamel from Majestic in the Latest issue of Prog-résiste


The Jan 2010 issue of Prog-résiste magazine features an interview (in French) with Jeff Hamel of Majestic along with a review of Majestic’s Arrival CD. Prog-résiste is a belgian “Non Profit Making Association” having the aim to promote the Progressive Rock in Belgium, in other french-speaking countries and all around the world if possible.

Be sure to check out Prog-résiste at http://www.progresiste.com

The english translation of the interview conducted by Alex Willem is as follows:

Interview on 11/04/2009

To start, can you please present yourself shortly?

My name is Jeff Hamel and I am the musician primarily responsible for the music of Majestic. Majestic is a neo-symphonic prog recording project out of Minnesota, USA.

“Arrival” is your second album. Can you tell us the genesis of this album? What has been the creation process of it ?

Actually, Arrival is my third album release. My first was Descension and that was followed by String Theory. However, due to the label issues S.T. was not promoted the way it should have been. Fortunately, Mals Ltd picked up Descension and released it under their label.  Mals being a progressive rock and metal label really opened the door for Majestic.

In Oct 2008, I found an unknown vocalist Jessica Rasche looking for a band in our local area. I heard some samples she had done with some other musicians. Even though Jessica’s  music was quite different from Majestic I thought her voice would be a strong asset to the project. So I suggested collaboration on a track or two just to hear what the final product would sound like.  We put the samples out and the responses were overwhelmingly positive. It was quite clear that her voice fit perfectly with the Majestic sound.  Subsequently, I invited her to be the primary vocalist of Majestic and the Arrival recording sessions began.

Do you see an evolution between this album and the previous one ?

Most Definitely, Descension was a collection of smaller pieces of music written in 2006-2007 which was bordering progressive and just rock. Deservingly, it received only midgrade reviews. I have always been recording ideas down and descension was my first attempt at putting anything out there to the public.

My next attempt was String Theory. This was quite a bit more progressive in terms of being a concept CD. However, the songs were not as long due to limitations of label wanting me to keep the tracks less than 10 minutes long and be more like popular American rock.  String Theory was superior to Descension but the CD went into obscurity rather quickly from virtually no promotion.

When I began recording Arrival I decided to write something that I liked to hear and not worry about whether people would like it or buy it. I just wrote for myself and I have always enjoyed the longer epic sounding tracks. Also I have always had the desire to do something “bigger”. In addition, Jessica’s vocal talent opened up new doors for the music. Her vocals allowed me to go heavier than I had before. My vocals are passable on softer music but with Jessica handling the heavier riffs I felt the sky is the limit.

To the exception of the vocals (performed by Jessica Rasche), you play all the instruments (like Mike Oldfield…). Is it something you enjoy to play all instruments?

Very much. The guitar has always been my main instrument.  Playing all the instruments is like a double edge sword. The good part is that I have 100% control over the music and direction it takes with no arguments. The bad part is I have no one to bounce ideas off of when I get stuck on a part. Over all playing all the instruments has worked out and the good outweighs the bad.

The album starts with a long track and ends with another long track? This is very Rock Progressive. What do you think? Do you claim doing Prog music?

I rarely listen to anything except progressive music. I enjoy music that takes the listener places and lets them use their imagination.  I write music I enjoy listening to and Prog music involves more epic intricate tracks that you continue to get new things out of every time you listen. Arrival allowed me to write something that I as prog fan was able to enjoy.

What are the artists who influenced your work?

In no particular order, some of the bands that move me are Yes, Dream Theater, Porcupine Tree, Ayreon, Riverside, Genesis, Rush and Pink Floyd.

How do they influence your work?

I try to pick up bits and pieces from songs I like. If you break down a Majestic track you will find all these influences throughout the music. Although, I have never been into learning and playing other peoples music their influences will always be there.

Listening to your music, it reminded us (at Progresiste) the music of Saga, especially the track “wish”. Is this also an influence?

I will take that as a compliment.  Saga is a great band. Though I thought “wish” was more Steven Wilson’s No-Man influenced.

Is that kind of music popular in the US? Is it easy to tour to present it?

There are some great prog bands here in the states. Short of some festivals, progressive music is not as popular as it should be. There is no denying  Majestic has a much bigger following overseas.

What are the things you are happy about this album and what would you like to redo?

I am thrilled with the response the CD has received. I knew with Jessica’s voice we were creating something new and fresh, however with the mediocre reviews of past material I had no idea “Arrival” would be so widely accepted.

As a musician, I always hear things I think could have been done better or different. That being said, I am a strong believer that you make a song as well as you can at the time and then put a stake in the ground and move on.  I just take the mistakes and learn not to repeat them next time around.

What are your project for near future?

For about a year now I have been collaborating with Gregg Johns of Slychosis on a project called Proximal Distance. We are almost done recording and are looking to release around end of 2009 or early 2010. This CD will feature Jessica and I (Majestic) along with Gregg Johns, Todd Sears, and Jeremy Mitchell from Slychosis. We are really excited about this project.

What would you say to our reader to invite them to listen your music?

Majestic is relatively new on the prog scene and definitely worth checking out. If you are a fan of prog you won’t be disappointed because this album touches on the many different styles. Stop by our website at www.majesticsongs.com . There we have free downloadable music, reviews, and current updates on our projects.

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Arrival – Review – Sea of Tranquility – Part 2


RTR Review Link

This is a second review of Arrival from S.O.T.

Majestic: Arrival
Posted by Steven Reid, SoT Staff Writer on 2009-10-16 06:23:13
My Score:



If I was to be honest, when you receive a CD to review that has a single page cover and a cheap looking design on the disc itself that all suggests extremely low budget stuff and then go on to discover that the band in question, namely Majestic, is a one man project with help from a singer. Then on top of that you notice that the disc contains only four songs, all of which are over nine minutes long, two at around the half hour mark, then it would be fair to suggest that I first approached Arrival with some trepidation.

Unlike my colleague Jon, this is my first brush with Majestic and after getting over my initial impressions the only thing I can say is boy have I been missing out!

Jeff Hamel is an impressive master of many instruments; however his guitar work is flawless throughout. Ranging from dreamy, atmospheric passages to sharp incisive work outs and including most else in between, all the guitar work is of the highest standard and slowly but surely draws you into the joys held within this album.

There are many reference points on the disc, however I would have to agree that Porcupine Tree and Pink Floyd loom large on most of the music, however they do so without on the whole over shadowing it, although there are moments on the 36 minute epic title track, where you are checking the song writing credits to see if Dave Gilmour dropped in on the sessions. That in itself is no bad thing when the mix of the spoken word parts, wonderful vocals and the sublime guitar solos interlink to make the outcome is as impressive as it is.

That’s not to diminish what is also achieved elsewhere on Arrival as there really is no point where the standard drops below excellent. Each of the four tracks are engaging and interesting in equal measure, with Hamel not putting a foot wrong at any turn. It is also to his credit that he has brought the wonderful Jessica Rasche and board to compliment his vocals with her fragile yet confident voice knowing when to blend with its surroundings and when to shine through and dominate for a while.

Hamel is also an extremely deft keyboard player. The album is swathed in atmospheric keys which lift the satisfyingly simple moments to melodic spells that captivate you with their beauty.

Majestic have put together a quite wonderful progressive album with Arrival that will appeal to those who lap up music from the current crop of prog’s leading lights, or those who still hanker for the genres past glories.


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Arrival – Review – Sea of Tranquility


Majestic: Arrival

Majestic is the project formed by multi-instrumentalist Jeff Hamel. My first experience with the artist’s music was the album Descension which I thought was a good listen. I am happy to say the new release entitled Arrival blows that one out of the water. Hamel has outdid himself this time around. While Hamel has a pleasant enough voice, I felt the vocals were somewhat lacking with the Descension album. On the new release Hamel has brought in the vocal talents of Jessica Rasche who has an excellent voice totally suited to Hamel’s style of progressive rock. Hamel adds some of his own vocal touches taking the occasional lead and adding backing vocals. Hamel combines elements of neo, heavy prog and symphonic rock, blending them together to make a delicious musical concoction. There is a good mixture of heavy and light moments that showcases the excellent musicianship of Hamel. While Hamel is still influenced by bands like Porcupine Tree and Pink Floyd he is really starting to develop his own style on Arrival.

Although there are only four tracks, there is over seventy-five minutes of music thanks to a couple of monster epics bookending this release. The album starts with “Gray”, an ambitious opening number that sets the tone for what is to come. From softer sections to hard edged progressive rock this song has a lot to offer prog fans recalling moments of Porcupine Tree. Hamel’s vocal work is quite good as he seems to have matured in this area. My favourite song has to be the thirty-six minute title track that closes out the CD in fine fashion. With its soaring lead guitar solos, ala Gilmour, beautiful layered female vocals, spoken word samples and at times a darker electronic vibe, this song is epic with a capitol e. It is so good in fact I barely noticed where the time had gone. Sandwiched in between are two tracks that are also of a very high caliber.

Arrival does not feel like a one man band in the slightest. The sound is so rich and full it is hard to believe this is the work of one man. This is an album I highly recommend. Arrival is truly majestic in every sense of the word.
Track Listing:
1. Gray (22:38)
2. Wish (9:12)
3. Glide (9:36)
4. Arrival (36:04)

Added: October 14th 2009
Reviewer: Jon Neudorf
Score:
Related Link: Artist’s Official Site

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Arrival-Review-Progressive Rock & Progressive Metal – E-Zine


THE BEST BAND AND RECORD OF THE MONTH – 2009

Majestic is featured in an article in this prog rock site.

Here is the original link. Majestic Feature

Majestic come from Minneapolis, Minnesota, EUA, a Progressive Rock Project fronted by a singer, songwriter and multi-instrumentalist Jeff Hamel, accompanied by Jessica Rasche, on lead vocals. It’s very difficult to classified Jeff Hamel “Majestic” into one single style, his music is so vibrant, epic and atmospheric, full of incredible musical components,
combining elements of Progressive Rock, Prog Metal, Symphonic Metal, Neo-Progressive, and Hard Rock, sometimes adding a touch of electronic textures. We can hear wonderful solos of guitar, constantly dominating all arrangements in accordance with an incredible symphonic keyboards and thunderous drums. On vocals, Jessica Rasche sings in a distinctive style that would fit comfortably into the compositions, her voice is so clear and she has a very wide vocal range, sounding between “Tracy Hitchings” – “Landmark”, “Robin (Marta Kniewska)” – “Strawberry Fields”, “Christina Maria Booth” – “Magenta” and “Rachel Jones” – ‘Karnataka”. Together, they have created a very strong musical style, that is not so easy to find today, definitely they should have a special attention from all prog rock lovers around the world. “Arrival” is a contemporary progressive rock album with a vibrant and modern sound, the album contains 77:30 minutes, divided into four songs, where all the tracks, offers to the listener an magnificent and vibrant music. So if you are a fan of “Arena”, “Genesis”, “Porcupine Tree”, “Riverside”, “Yes”, “Magenta”, “Mostly Autumn”,  “Ayreon” and you like all of them you must get Majestic. Brilliant, fantastic, and amazing work, highly recommendable…

The present line-up of the Majestic Project are:
Jeff Hamel – Guitar, Keyboards, Vocals, Drums and Percussion
Jessica Rasche – Vocals

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Arrival at Aural Moon


The tracks from Arrival are now on Aural Moon progressive radio.  Be sure to go there and request your favorite tracks. :)

Click to check out : Aural Moon

Or to go directly to request a track, check out the Garden

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